{"id":22511,"date":"2026-04-09T09:38:35","date_gmt":"2026-04-09T12:38:35","guid":{"rendered":"https:\/\/infinitoradio.com\/?p=22511"},"modified":"2026-04-09T09:38:35","modified_gmt":"2026-04-09T12:38:35","slug":"cannes-2026-pedro-almodovar-va-por-la-palma-de-oro-con-amarga-navidad-en-la-que-actua-leonardo-sbaraglia","status":"publish","type":"post","link":"https:\/\/infinitoradio.com\/?p=22511","title":{"rendered":"Cannes 2026: Pedro Almod\u00f3var va por la Palma de Oro con Amarga Navidad, en la que act\u00faa Leonardo Sbaraglia"},"content":{"rendered":"<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u00bfSer\u00e1 este 2026, finalmente, el a\u00f1o de la consagraci\u00f3n de Pedro Almod\u00f3var en el Festival de Cannes? El manchego lleva <em>Amarga Navidad<\/em>, en la que Leonardo Sbaraglia integra su elenco, que fue seleccionada para competir por la Palma de Oro en esta 79\u00b0 edici\u00f3n del Festival, que se celebrar\u00e1 del 12 al 23 de mayo.<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>Adem\u00e1s de Sbaraglia, la presencia argentina contin\u00faa con<em> El partido<\/em>, el documental que dirigieron Juan Cabral (la semana pr\u00f3xima estrena <em>Risa y la cabina del viento<\/em>, con Diego Peretti, Cazzu y Joaqu\u00edn Furriel) y Santiago Franco sobre el partido entre Argentina e Inglaterra en el Mundial &#8217;86. Se proyectar\u00e1 en la secci\u00f3n Cannes Premiere.<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>Thierry Fr\u00e9maux, director de Cannes desde 2001, anunci\u00f3 que se revel\u00f3 el 95% de la selecci\u00f3n, y que algunas pel\u00edculas se dar\u00e1n a conocer en las pr\u00f3ximas semanas. Tambi\u00e9n, que se presentaron 2.491 pel\u00edculas al festival, procedentes de 141 pa\u00edses.<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u00bfEstar\u00e1, entre los t\u00edtulos faltantes, <em>La libertad doble<\/em>, de Lisandro Alonso?<\/p>\n<\/div>\n<div class=\"sc-98b114a2-0 bkqiHH image-embed  image-embed \"><img fetchpriority=\"high\" decoding=\"async\" alt=\"Thierry Fr\u00e9maux al presentar las pel\u00edculas de Cannes 2026, en Par\u00eds. Foto Reuters\n\" loading=\"eager\" width=\"720\" height=\"480\" data-nimg=\"1\" src=\"https:\/\/www.clarin.com\/img\/2026\/04\/09\/G6jR581jG_720x0__1.jpg\" \/><span class=\"epigraphe\" aria-hidden=\"true\">Thierry Fr\u00e9maux al presentar las pel\u00edculas de Cannes 2026, en Par\u00eds. Foto Reuters<br \/>\n<\/span><span class=\"picture-open\"><button class=\"open-image\" aria-label=\"Open Image\"><\/button><\/span><\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>Grandes nombres del cine independiente, como Ira Sachs, Pawel Pawlikowski, Lazlo Nemes, los ya ganadores de la Palma Cristian Mungiu e Hirokazu Kore-eda, m\u00e1s Ry\u00fbsuke Hamaguchi, Valeska Grisebach, Lukas Dhont y Asghar Farhadi competir\u00e1n por la Palma de Oro.<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>Tras una edici\u00f3n de 2025 que cont\u00f3 con una gran presencia de Hollywood, desde la \u00faltima <em>Misi\u00f3n: imposible<\/em>, con Tom Cruise, a <em>Highest 2 Lowest<\/em>, de Spike Lee, este a\u00f1o el Festival ser\u00e1 dominado por el cine internacional y los cineastas independientes.<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>Ira Sachs es el \u00fanico cineasta estadounidense en competici\u00f3n, con <em>The Man I Love<\/em>, fantas\u00eda musical protagonizada por Rami Malek y ambientada a finales de los a\u00f1os \u201880 en Nueva York.<\/p>\n<\/div>\n<div class=\"sc-98b114a2-0 bkqiHH image-embed  image-embed \"><img decoding=\"async\" alt='El director Pedro Almod\u00f3var, junto a los actores Leonardo Sbaraglia y Quim Guti\u00e9rrez, en el rodaje de \"Amarga Navidad\". EFE\n' loading=\"eager\" width=\"720\" height=\"480\" data-nimg=\"1\" src=\"https:\/\/www.clarin.com\/img\/2025\/06\/11\/Glt1xjmx7_720x0__1.jpg\" \/><span class=\"epigraphe\" aria-hidden=\"true\">El director Pedro Almod\u00f3var, junto a los actores Leonardo Sbaraglia y Quim Guti\u00e9rrez, en el rodaje de &#8220;Amarga Navidad&#8221;. EFE<br \/>\n<\/span><span class=\"picture-open\"><button class=\"open-image\" aria-label=\"Open Image\"><\/button><\/span><\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>Y habr\u00e1 que buscar, entonces, en secciones paralelas m\u00e1s pel\u00edculas cercanas a Hollywood. Por ejemplo, fuera de competencia se ver\u00e1n <em>Diamond<\/em>, de Andy Garc\u00eda, con Brendan Fraser, Dustin Hoffman y Bill Murray, y el thriller de horror <em>Her Private Hell<\/em>, de Nicolas Winding Refn. Y en Special Screenings estar\u00e1n <em>John Lennon: The Last Interview<\/em>, de Steven Soderbergh, y <em>Avedon<\/em>, de Ron Howard.<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>Cinco de las pel\u00edculas que competir\u00e1n por la Palma de Oro son dirigidas por mujeres.<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>La semana pasada, Cannes hab\u00eda anunciado que su edici\u00f3n de 2026 se inaugurar\u00e1 el 12 de mayo con <em>La V\u00e9nus \u00e9lectrique<\/em>, de Pierre Salvadori, ambientada en la d\u00e9cada de 1920, tras la ceremonia de apertura presentada por la actriz Eye Ha\u00efdara. Tambi\u00e9n, el estreno mundial de <em>Propeller One-Way Night Coach<\/em>, la opera prima de John Travolta como director, dentro de Cannes Premiere.<\/p>\n<\/div>\n<div class=\"sc-98b114a2-0 bkqiHH image-embed  image-embed \"><img decoding=\"async\" alt=\"John Travolta lleva su opera prima a Cannes.\n\" loading=\"eager\" width=\"720\" height=\"480\" data-nimg=\"1\" src=\"https:\/\/www.clarin.com\/img\/2023\/03\/13\/lFGQ03jVI_720x0__1.jpg\" \/><span class=\"epigraphe\" aria-hidden=\"true\">John Travolta lleva su opera prima a Cannes.<br \/>\n<\/span><span class=\"picture-open\"><button class=\"open-image\" aria-label=\"Open Image\"><\/button><\/span><\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>El director surcoreano Park Chan-wook, aclamado cineasta por pel\u00edculas como <em>Oldboy<\/em> y la m\u00e1s reciente <em>La \u00fanica opci\u00f3n<\/em>, presidir\u00e1 el jurado de Cannes 2026. El resto de los integrantes, con quienes definir\u00e1 el ganador de la Palma de Oro, a\u00fan no han sido anunciados.<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>En los \u00faltimos seis a\u00f1os coincidieron dos veces los ganadores de Cannes con el Oscar: <em>Parasite<\/em>, de Bong Joon-ho, y <em>Anora<\/em>, de Sean Baker.<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>El director de <em>El Se\u00f1or de los Anillos<\/em>, Peter Jackson, recibir\u00e1 una Palma de Oro honor\u00edfica en reconocimiento a su trayectoria profesional. Curiosamente, el neozeland\u00e9s nunca tuvo una pel\u00edcula en la selecci\u00f3n oficial de Cannes, aunque al March\u00e9 du film llev\u00f3 su opera prima <em>Bad Taste<\/em> en 1988. Y en 2001 Jackson proyect\u00f3 26 minutos promocionales de <em>El Se\u00f1or de los anillos: La comunidad del anillo<\/em>.<\/p>\n<\/div>\n<div class=\"sc-98b114a2-0 bkqiHH image-embed  image-embed \"><img decoding=\"async\" alt=\"Barbra Streisand durante el segmento In Memoriam en la reciente entrega del Oscar. Recibir\u00e1 una Palma de Oro de honor. Reuters\" loading=\"eager\" width=\"720\" height=\"480\" data-nimg=\"1\" src=\"https:\/\/www.clarin.com\/img\/2026\/03\/15\/vCyJE4zcS_720x0__1.jpg\" \/><span class=\"epigraphe\" aria-hidden=\"true\">Barbra Streisand durante el segmento In Memoriam en la reciente entrega del Oscar. Recibir\u00e1 una Palma de Oro de honor. Reuters<\/span><span class=\"picture-open\"><button class=\"open-image\" aria-label=\"Open Image\"><\/button><\/span><\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>La otra Palma de Oro de honor ser\u00e1 para la actriz y cineasta estadounidense Barbra Streisand, de 84 a\u00f1os.<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>A continuaci\u00f3n, los t\u00edtulos revelados.<\/p>\n<\/div>\n<h2>Pel\u00edcula de apertura<\/h2>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p><em>La V\u00e9nus \u00e9lectrique<\/em>, de Pierre Salvadori (Fuera de competencia)<\/p>\n<\/div>\n<h2>Competencia oficial<\/h2>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cMinotaur\u201d, de Andrey Zvyagintsev<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cEl ser querido\u201d, de Rodrigo Sorogoyen<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cThe Man I Love\u201d, de Ira Sachs<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cFatherland\u201d, de Pawe\u0142 Pawlikowski<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cMoulin\u201d, de Laszlo Nemes<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cHistoire de la nuit\u201d, de L\u00e9a Mysius<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cFjord\u201d, de Cristian Mungiu<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cNotre salut\u201d, de Emmanuel Marre<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cGentle Monster\u201d, de Marie Kreutzer<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cNagi Notes\u201d, de K\u00f4ji Fukada<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cHope\u201d, de Na Hong-Jin<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cSheep in the Box\u201d, de Hirokazu Kore-eda<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cGarance\u201d, de Jeanne Herry<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cThe Unknown\u201d, de Arthur Harrari<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cAll of a Sudden\u201d, de Ryusuke Hamaguchi<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cThe Dreamed Adventure\u201d, de Valeska Grisebach<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cCoward\u201d, de Lukas Dhont<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cLa bola negra\u201d, de Javier Ambrossi y Javier Calvo<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cA Woman\u2019s Life\u201d, de Charline Bourgeois-Taquet<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cParallel Tales\u201d, de Asghar Farhadi<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cAmarga Navidad\u201d, de Pedro Almod\u00f3var<\/p>\n<\/div>\n<h2>Un Certain regard<\/h2>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cLa m\u00e1s dulce\u201d, de La\u00efla Marrakchi<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cClub Kid\u201d, de Jordan Firstman<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cTeenage Sex and Death at Camp Miasma\u201d, de Jane Schoenbrun<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cEverytime\u201d, de Sandra Wollner<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cI\u2019ll Be Gone in June\u201d, de Katharina Rivilis<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cYesterday the Eye Didn\u2019t Sleep\u201d, de Rakan Mayasi<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cEl deshielo\u201d, de Manuela Martelli<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cSoy Tu Animal Materno\u201d), de Valentina Maurel<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cElephants in the Fog\u201d, de Abhinash Bikram Shah<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cBenimana\u201d, de Marie-Clementine Dusabejambo<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cLe Corset\u201d , deLouis Clichy<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cCongo Boy\u201d, de Rafiki Fariala<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cAll the Lovers in the Night\u201d, de Yukiko Sode<\/p>\n<\/div>\n<h2>Fuera de competencia<\/h2>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cHer Private Hell\u201d, de Nicolas Winding Refn<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cDiamond\u201d, de Andy Garcia<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cL\u2019objet du d\u00e9lit\u201d, de Agn\u00e8s Jaoui<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cLa bataille de Gaulle: L\u2019\u00e2ge de fer\u201d, de Antonin Baudry<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>&#8220;L\u2019Abandon&#8221;, de Vincent Garenq<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>&#8220;Karma&#8221;, de Guillaume Canet<\/p>\n<\/div>\n<h2>Cannes Premiere<\/h2>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cKokurojo: The Samurai and the Prisoner\u201d, de Kiyoshi Kurosawa<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cPropeller One-Way Night Coach\u201d, de John Travolta<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>&#8220;Heimsuchung&#8221;, de Volker Schl\u00f6ndorff<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>&#8220;The Third Night&#8221;, de Daniel Auteuil<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>&#8220;El partido&#8221;, de Juan Cabral y Santiago Franco<\/p>\n<\/div>\n<h2>Special Screenings<\/h2>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cJohn Lennon: The Last Interview\u201d, de Steven Soderbergh<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cAvedon\u201d, de Ron Howard<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cLes Survivants du Che\u201d, de Christophe R\u00e9veille<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cLes Matins Merveilleux\u201d, de Avril Besson<\/p>\n<\/div>\n<h2>Midnight Screenings<\/h2>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cRoma Elastica\u201d, de Bertrand Mandico<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cFull Phil\u201d, de Quentin Dupieux<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cColony\u201d, de Yeon Sang-ho<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cJim Queen\u201d, de Nicolas Athane y Marco Nguyen<\/p>\n<\/div>\n<div class=\"sc-45461e9c-0 eqiBeF container-text text-embed \">\n<p>\u201cSanguine\u201d, de Marion Le Coroller<\/p>\n<\/div>\n<p><strong><a href=\"https:\/\/blockads.fivefilters.org\/\">Adblock test<\/a><\/strong> <a href=\"https:\/\/blockads.fivefilters.org\/acceptable.html\">(Why?)<\/a><\/p>\n<p>\u200b\u00a0\u00a0<\/p>","protected":false},"excerpt":{"rendered":"<p>\u00bfSer\u00e1 este 2026, finalmente, el a\u00f1o de la consagraci\u00f3n de Pedro Almod\u00f3var en el Festival&#8230;<\/p>\n","protected":false},"author":1,"featured_media":22512,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-22511","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-espectaculos"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/infinitoradio.com\/index.php?rest_route=\/wp\/v2\/posts\/22511","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/infinitoradio.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/infinitoradio.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/infinitoradio.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/infinitoradio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22511"}],"version-history":[{"count":0,"href":"https:\/\/infinitoradio.com\/index.php?rest_route=\/wp\/v2\/posts\/22511\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/infinitoradio.com\/index.php?rest_route=\/wp\/v2\/media\/22512"}],"wp:attachment":[{"href":"https:\/\/infinitoradio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/infinitoradio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/infinitoradio.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}